Secret Agent Gal Movie Reviews

Apollo 18: man vs. moon rocks in sci-fi thriller - 3 stars

 
 
 
Baby boomers and sci-fi fans, prepare for a retro space exploration thriller. Apollo 18 reveals a chilling double cross on the moon. Found footage of the Apollo space program and a faux-documentary style are used.

Director Gonzalo Lopez-Gallego’s clever, low budget sci-fi thriller exposes secret agendas, ulterior motives and brave heroes. NASA’s cancellation of the Apollo 18 moon mission sets up the premise.

What if the announcement was just a hoax? A top secret 1974 blast-off is shown. Commander Nathan Walker and Captain Benjamin Anderson plant early warning devices for the Department of Defense. They collect moon rocks. Suddenly, the mission goes awry when they discover an abandoned wreck and evidence of alien activity.

A bare-bones plot and scant character development make this a modest mission. The special effects are on par with the 1970s, but creepy enough. Apollo 18 is suspenseful good fun.

 
 

In fact NASA did plan Apollo 18, Apollo 19 and Apollo 20 missions. Congressional budget cuts and lack of public interest in the lunar voyages caused each to be axed.

Apollo 18 recalls a nation united to achieve a lofty aim. I got chills watching President John F. Kennedy announce the goal of reaching the moon. Lopez-Gallego succeeds in conjuring a sense of American idealism and entitlement.

The American heroes (played by Warren Christie, Lloyd Owen and Ryan Robbins) display death-defying character lacking in some government officials. Flashbacks show the trio drinking beer and goofing around at a family picnic. The archival footage is scratchy and realistic.

Cold War paranoia prevails, along with a curious insistence that only man lives in the universe. The crew can’t imagine peaceful coexistence with extraterrestrials because they can’t even acknowledge their existence.

One day, we will watch Apollo 18 and laugh at our own arrogance.

If you like Apollo 18, you might enjoy:  Insidious; Splice.

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Apollo 18     2011  /  PG-13  /  1 hour, 28 min

Cast Overview:  Warren Christie, Lloyd Owen, Ryan Robbins

Director: Gonzalo Lopez-Gallego

Genre:  Thriller, Sci-Fi, Horror, Mockumentary

 

 

 

Super 8 ****1/2

 

Friends making a zombie picture meet danger with bravery and imagination in Super 8. The summer movie with a feisty kid’s heart blends rousing story with sci-fi, horror and can-do ingenuity.

Prolific director J.J. Abrams (Star Trek [2009]; Mission: Impossible III; television’s Lost), joins forces with his mentor Steven Spielberg, who produces the film. Super 8 features excellent character development, human interest, direction, story, action, special effects, new talent and self-discovery.

With heart, soul and skill, Abrams and cinematographer Larry Fong have drawn on Spielberg’s legendary work to develop an original, deeply moving film. Spielberg classics like E.T.: the Extra-Terrestrial, Jurassic Park and Jaws come to mind.

A horrific crash of a U.S. Air Force train sends the friends scurrying as they shoot a scene. Causing the accident is a white pick-up truck that meets the train head-on. Special effects heighten the fantastic wreck.

One of the train cars thunders. Something big and strong bursts out, disappearing into the night. The driver of the pick-up, a biology teacher, is still alive. “They will kill you,” he warns. “Do not speak of this or else you and your parents will die.”

Along with sheriff’s deputy Jackson Lamb (Kyle Chandler of Friday Night Lights), the group watches the Air Force swoop in to clean up the top-secret wreck. The deputy’s 12-year-old son Joe (exciting newcomer Joel Courtney) seeks the truth. Joe has just lost his mother in a steel mill accident. As a leader with character, Courtney brings to mind Wil Wheaton in Stand By Me.

Joe’s distant father forbids him to make monster movies with his friend Charles (fantastic Riley Griffiths). Griffiths is a revelation as a never-say-die director. Driven and immersed in his visions, he takes charge and makes movies with scant resources. He’s a joy to watch.

 

Talented Elle Fanning, so mature and authentic in Somewhere, plays Alice, the girl who agrees to join Charles and his friends in their latest production. Fanning captures pre-teen angst as a budding actress who enchants the boys. Cary (Ryan Lee), a tiny terror with braces, plays the zombie and creates special effects. Cameraman Preston (Zach Mills) and leading man Martin (Gabriel Basso) also star.

Other notables include AJ Michalka (The Lovely Bones) as Charles’ caustic sister Jen. Ron Eldard plays Alice’s drunken dad who blames himself for the death of a co-worker.

As dogs flee town and electrical engines vanish from cars and homes, Abrams keeps the alien mysterious for a long while. Surprising plot twists add to the excitement. A touch more editing could have enhanced the film, particularly during the movie’s lengthy crescendo.

The innocence of 1979 feels fresh and immediate as Joe and friends act with gutsy inspiration. Free of cynicism, the movie maintains a sense of adventure through the end credits.

Like many sci-fi movies, Super 8 asks: What does our government know about alien civilizations? What are they hiding?

If you like Super 8, you might enjoy:  X-Men: First Class; Source Code; 2012.

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Super 8     2011  /  PG-13  /  1 hour, 52 min 

Cast Overview:  Kyle Chandler, Elle Fanning, Joel Courtney, Gabriel Basso, Noah Emmerich, Ron Eldard, Riley Griffiths, Ryan Lee, Zach Mills, Glynn Turman

Director:  J.J. Abrams

Genre:  Sci-Fi, Thriller, Suspense

 

The Perfect Host ****1/2

 

Do we ever really know someone? Emmy and Tony Award winner David Hyde Pierce stars in a twisty, stylish crime thriller The Perfect Host, now playing on demand before it opens in theaters. Aussie director-writer Nick Tomnay’s fascinating romp explores misleading appearances and the jagged edges of personal psychology.

Hyde Pierce powers the low budget film’s comedic horror, showing the full range of his incredible acting talent. Best known as neurotic, ever-frustrated Dr. Niles Crane on television’s Fraiser series, Pierce (Nixon, Full Frontal, Spamalot and Curtains) is nice and oh-so-naughty here, transcending metrosexuality as he plays Warwick Wilson, a refined gay man throwing a dinner party.

Just as Niles desperately seeks the love of Daphne, Warwick burns for unconditional affirmation of his own worthiness. “Love me. Love me,” he says during a kinky scene.

Premiering at the 2010 Sundance Film Festival, The Perfect Host is a chess game of moves and countermoves. The story turns surreal in a posh, Los Angeles suburban home. The straightforward is suddenly turned on its head. We’re challenged to decide what’s real and what’s illusion. Survival is at stake as “every action has an equal and opposite reaction.”

Also excellent is Clayne Crawford (A Walk to Remember, 24) as John Taylor, an unlucky bank robber on the lam who rings Warwick’s doorbell. John steals a postcard from Warwick’s mailbox, pretending to be a friend of a friend. The crook is in for the surprise of his life. Crawford deepens his character with surprising humanity.

The first plot twist leads to surprising revelations about Warwick, John and Simone (Megahn Perry), the bank robber’s girlfriend. As characters veer into the unexpected, Tomnay skillfully keeps the Hitchcock-like action on track in this darkly funny exploration of human idiosyncrasy.

John Swihart’s original score suits the movie’s many moods and adds to the fun.

 

Grammy winner Helen Reddy, who topped the Billboard charts in 1972 with her women’s lib tune I Am Woman, delivers a strong supporting role as Mrs. Knight, Warwick’s concerned neighbor. Also starring are Nathaniel Parker as Detective Morton, and Joseph Will as Detective Valdez. Morton wants to take a cold case one step further.

The Perfect Host (on Twitter @perfecthost) turns into a who’s who of crime and punishment. Based on Tomnay’s short film The Host, it maintains edgy action and bizarre fascination until the very end.

If you like The Perfect Host, you might enjoy: Shutter Island; The Ghost Writer.

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The Perfect Host     2011  /  R  /  1 hour, 34 min

Cast Overview:  David Hyde Pierce, Clayne Crawford, Helen Reddy, Nathaniel Parker, Megahn Perry, Joseph Will, Tyrees Allen, Annie Campbell, Indira G. Wilson, Cooper Barnes

Director:  Nick Tomnay

Genre:  Thriller, Suspense, Indie

Trollhunter *****

 

Troll!  When tourists disappear and trees topple, a feisty band of film students seeks the facts. Legend has it that trolls rule the northern wilds of Norway. Those stories can’t be anything more than just fairy tales – right? André Øvredal’s send-up of the crusty creatures Trollhunter delivers giddy thrills.

Much like The Blair Witch Project with the scope of Jurassic Park, the folklore-inspired expose stars solitary trollhunter Hans (comedian Otto Jespersen) and the cheeky students who follow him. With an enigmatic slash across his face, intense Hans lives in a smelly trailer festooned with furry tails. Deep gashes pierce his SUV, which has been retrofitted with metal teeth and huge spotlights.

The trollhunter speeds off each night without warning. He must know something about the disappearances, the Volda College students believe. “Get lost!” he warns Thomas (Glenn Erland Tosterud).

The gang persists. “Do you think Michael Moore gave up after the first try?” Thomas asks. People have the right to know what’s behind the accidents, insists soundwoman Johanna (Johanna Morck). Cameraman Kalle (Tomas Alf Larsen) appears late during a critical moment. Blaming bears and tornadoes, the government and mainstream media seem clueless.

A government conspiracy is uncovered. The Wildlife Board has known about trolls all along, but denies their existence. The head of the ultra-secret Troll Security Service Finn Haugen (Hans Morten Hansen) hires a crew of Polish painters (led by Robert Stoltenberg) to plant false evidence at accident scenes.

Comedians Jespersen, Tosterud, Hansen and Stoltenberg elevate Trollhunter's dark comedy and interesting character development. Norway’s Prime Minister Jens Stoltenberg appears in a cameo at the film’s conclusion.

With deadpan sincerity, Jespersen portrays a man attuned to freaky nature who strives to do right. Hans walks a fine line between protecting citizens and treating the mammals humanely. He confesses that he once led a murderous government mission against the trolls. Now he’s relieved that someone will document their existence.

Hans has one major weapon to combat rampaging trolls. Bright UV light makes them calcify, causing them to explode or turn to stone. “I’m not brave,” he tells Thomas. “This is dirty work.”

The lively, low budget adventure was featured at Sundance 2011. Writer-director Øvredal told Io9 that Hans’ character was partly inspired by Robert Shaw’s Quint in Jaws. 

Tall as trees, trolls can live for over a thousand years. Not too bright, they eat rocks and smell like troll stench. They’re a far cry from the homely-cute trinkets with orange or green hair. Tosserlad can sprout up to nine heads to lure lady trolls. A three-headed giant sends the hunter and initially skeptical trio scrambling.

Trolls turn furious when they smell the blood of a Christian. For this reason Hans insists that only non-believers can tag along. This detail has some historical basis. When Christianity took hold in Norway during the 13th century, people stopped believing in and worshipping trolls.

 

A rabid Ringlefinch takes the bait on a bridge, flinging Hans aloft like a plaything. Luckily the group comes to his rescue. A veterinarian later confirms that the troll was diseased. Hans fills out the government requisite Slayed Troll Form.

When power lines are ripped down around Mountain King territory, Hans and the gang travel far north to investigate. A massive, renegade Jotnar stalks them. Supersized like the Abominable Snow Monster from TV’s Rudolph the Red-Nosed Reindeer, this troll may be the most ferocious of all. Just then the Wildlife Board shows up.

Deliciously suspenseful, Trollhunter features production design by Martin Gant and sound design by Baard Haugan Ingebretsen. Impressive CGI and seamless visual effects are supervised by Øystein Larsen. Big set pieces and fearsome sound evoke the best of the Hollywood creature features.

Cinematographer Hallvard Braein achieves relatively steady handheld camerawork amidst beautiful valleys, forests, mountains and fjords. Film locations included Vaatedalen, Juten Heiman, and Sogn og Fjordane. 

Menace or national treasure? It seems trolls want to eat, reproduce and roam in peace. The pathos of the trolls will impress animal lovers even while mock bear carcasses and live goat bait may disturb some.

If you like Trollhunter, you might enjoy:  Insidious; Apollo 18; Splice.

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Trollhunter     2010  /  NR  /    1 hour, 33 min

Cast Overview:  Otto Jespersen, Glenn Erland Tosterud, Hans Morten Hansen, Johanna Morck, Tomas Alf Larsen, Knut Naerum, Robert Stoltenberg, Torunn Lodemel Stokkeland, Marte Brauteset

Director:  André Øvredal

Genre:  Mockumentary, Horror, Foreign Film

Language: Norwegian with English subtitles

 

Insidious ****1/2

 

Murky monsters. Out-of-body travel. A kid in a coma. Deliciously weird Insidious thrills us through the final violin note.

It’s carefully crafted horror and suspense without visceral violence from the team who brought us the original Saw slasher film, director James Wan and screenwriter Leigh Whannell. Menace hovers like a thunderhead. There’s plenty to curdle the blood, without bloodshed.  

Poltergeist meets Paranormal Activity as Insidious delves into paranormal science with it-could-happen-to-you realism. Like The Exorcist, it shows possession. Like The Shining, it conjures a spooky past that encroaches on the present. Like The Sixth Sense, it’s filled with I-see-dead-people moments to raise the hairs on your neck.

Non-stop tension and sympathetic characters add to foreboding. There’s a slo-o-o-w buildup as normal couple Josh and Renai Lambert move into an old Victorian home with sons Dalton and Foster, and a baby sister. 

Gruesome voices cackle over a baby monitor. Spirits stalk the rooms. Boxes of belongings vanish and reappear. Caution: these images may linger with you for days.

Wan takes advantage of darkness and light, silence and cacophony. Nicely imagined and realized ghouls are worthy of a Vincent Price movie. Creepy, under-lit visuals entertain.

Dalton (Ty Simpkins), like his sensitive mom Renai (Rose Byrne), sees and hears things in the old house. After an accident in the attic, Dalton falls into a medical coma.  No one can explain it.

Byrne is wonderful as a terrified, overwhelmed mom who yearns for a peaceful moment so she can compose music at the piano. Playing school teacher dad Josh, Patrick Wilson is perhaps too low key as the drama unfolds. Renai sleeps upstairs while Josh retreats to the couch to prevent a break-in. Later we learn why he is so tuned out.

Foster (Andrew Astor) sheds light on his brother’s nighttime activities. Renai despairs. “I feel like the universe is just seeing how far I’ll bend before I break,” she tells a visiting nurse.

The Lamberts have moved before to escape ghostly turmoil.  After Renai’s close encounter with a man pacing the bedroom, she begs Josh for another family move.

Josh’s mom Lorraine (Barbara Hershey) listens to the harrowing tale and believes. A doctor (Ruben Pla) and a priest (John Henry Binder) try to help. Finally the Lamberts turn to Lorraine’s friend Elise (wise, determined Lin Shaye), who just happens to be a paranormal expert.

 

Nerdy Specs and Tucker (Whannell and Angus Sampson) resemble vintage ghost-busters in their black and white outfits with odd gadgets in tow. The two spar playfully until their esteemed boss shows up for the serious work of saving Dalton.

Guided by Elise, Josh embarks on a mission into The Further to rescue his son. Tiny Tim’s Tiptoe Through the Tulips never sounded so ominous. 

The movie’s best scenes include Dalton’s foray into the attic, and the intervention (complete with black mask, gaseous vapors and raging demons). John R. Leonetti and David M. Brewer provide cinematography. Joe Dzuban is supervising sound editor.  

Like the best horror films, Insidious lets us indulge in our worst fears, and leave the theater feeling that we can face them.

If you like Insidious, you might enjoy: Shutter Island; The Ghost Writer; Splice.

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Insidious   2010  /  PG-13  /  1 hour, 42 mins

Cast Overview:  Patrick Wilson, Rose Byrne, Lin Shaye, Ty Simpkins, Leigh Whannell, Angus Sampson, Barbara Hershey

Director:  James Wan

Genre:  Horror, Supernatural, Psychological Thriller, Fantasy

Red Riding Hood ***

 

Red Riding Hood grows up as Amanda Seyfried plays the luscious maiden who carries both dagger and picnic basket.

Seyfried (Letters to Juliet; Dear John; Chloe), wide-eyed and bosomy, wears nubile womanhood well with her hypnotic screen presence. Valerie is a strong heroine as she follows her heart and confronts a werewolf.

Fear and superstition, honor and bravery hold sway within her forest village of Daggerhorn. The people know the ways of herbs, hunting and gathering. They revel in bacchanalia, festivals of dance and drink.

The Wolf is no legend.  He haunts the community at the blood moon. The people have appeased him with animal sacrifices for years. Without warning, he strikes down another villager, Valerie’s own sister.

A purple-robed werewolf hunter arrives with a small army who vow to root out evil within any and every villager. Gary Oldman plays Father Solomon with cut-throat fervor.

Like Grendel, the Wolf has his own story to tell, but that’s not revealed until the end of this fanciful reimagining of the Little Red Riding Hood fable by the Brothers Grimm.

Director Catherine Hardwicke (Twilight) delivers her whimsical, solemn coming of age tale with beautiful set design and good special effects.

A massive, bloodthirsty Wolf speaks in desperate, guttural tones. Dismembered limbs and knife wounds abound. Still the effects are muted with much left to one’s imagination.

Building a contemporary feel are riffs of musical score by Alex Heffes and Brian Reitzell.  Heffes, whose film credits include The Last King of Scotland and BAFTA-winning Touching the Void, is known for his modern / experimental style with grand overtones.

Trite, stale dialogue mars what could have been a better film. Still, Red Riding Hood casts a spell with gorgeous aerial photography of the landscape and Valerie, her crimson cloak floating on the wind over white snow.

Best of all is a plot that keeps us guessing. Anyone could be the Wolf as the terrified group descends into petty accusations and witch hunts.

 

Dashing Shiloh Fernandez (Red; Deadgirl) plays Peter, an orphaned woodcutter and Valerie’s true flame.  Max Irons (Dorian Gray; Unrequited Love) – son of Jeremy Irons – plays Valerie’s honorable betrothed.

Hardwicke captures the ripeness of youth, beautiful and handsome, tentative and impetuous, obedient and rebellious.

The three young stars really deliver what it’s like to be young. There’s a strong desire to take on romance, a poignant tenderness towards the elders who love and guide them.

Julie Christie is fascinating as Grandmother, a shaman-like good witch who concocts hearty stews in her own cabin away from the others. Christie’s delivery and sense of drama are wonderful.  Wearing lots of dangly jewelry and earthy shawls, she wove Valerie’s bright red cape (an early wedding present).

Billy Burke (Twilight) and Virginia Madsen (Monk; The Event) protect their daughter. Mama is eager to marry Valerie off to well-to-do Henry, who she doesn’t love.

Valerie’s independent spirit lives throughout the film and its surreal, seductive ending.  

May that primeval howl live on in all of us.

If you like Red Riding Hood, you might enjoy: The Eagle; Splice; 127 Hours.

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Red Riding Hood     2011  /  PG-13  /  1 hour, 40 min

Cast:  Amanda Seyfried, Megan Charpentier, Gary Oldman, Billy Burke, Shiloh Fernandez, DJ Greenburg, Max Irons, Virginia Madsen, Lukas Haas, Julie Christie

Director:  Catherine Hardwicke

Genre:  Thriller, Supernatural Thriller, Horror, Romantic Drama

Shutter Island *****

 
 
Martin Scorsese has created a noir classic in the mind bending drama Shutter Island. Leonardo DiCaprio stars as U.S. Marshall Teddy Williams, with Mark Ruffalo as his new partner Chuck Aule. This is Scorsese’s fourth collaboration with DiCaprio after Gangs of New York, The Aviator and The Departed (Best Picture/Best Director). 

Fans of The Shining will appreciate the sinister maze that Shutter Island sets like a trap for Teddy. It is 1954, era of the Cold War and the A-bomb.

The renowned director brilliantly evokes dread with a superb team both on and off screen.  Suspense grows from the first notes of the soundtrack (classics from Mahler, Cage and Adams). Production designer Dante Ferretti (Gangs of New York, Kundun) creates an imposing Ashecliffe Hospital for the criminally insane.

The marshalls are called in after Rachel Solando, a psychopath who killed her own three children, escapes from her secure cell.

Deputy warden John Carroll Lynch (Zodiac) warns them about the island’s detainees, “the most dangerous of the dangerous.” He proceeds to take away their guns, per hospital policy. Dr. Cawley (smart, cagey Ben Kingsley), is the asylum’s chief psychiatrist.  Cawley reports to a German, Dr. Naehring (menacing Max von Sydow). The two are strangely uncooperative as Teddy and Chuck begin to investigate.

Omnipresent warden Ted Levine (The Silence of the Lambs, Heat) wistfully carries on about the violence in each one of us.  Just then a storm blows in.

 

Teddy, a World War II vet who participated in the liberation of Dachau, begins to suspect that Naehring is involved in human experimentation.

As he spends more time on the island, Teddy is beset by nightmares and flashbacks from his own past. His wife Delores (Michelle Williams), who died in a fire set by the criminally insane Laeddis, warns him to flee Shutter Island.  Jewish children appear saying, “You should have saved me.”

The storm becomes a hurricane, disabling the island’s electronic security system.  Patients roam the grounds.  This is when Teddy gets to wander the island unencumbered as Chuck shadows him, later turning back.

Reality and imagination, sanity and insanity blur as Teddy interviews two patients. George Noyce (Jackie Earle Haley) delivers a dramatic warning from the infamous Ward C. Next Teddy must climb a rat-infested cliff to find Rachel Solando (Patricia Clarkson) hidden in a cave near the lighthouse. She divulges amazing secrets. Teddy is right: nothing is as it appears to be.

Superb production values, acting and direction make Shutter Island an impressive, twisty thrill of a mystery.  Scorsese’s subtext makes a satisfying, substantial film within a film.  DiCaprio is outstanding in his demanding, emotionally complex role.

Adapted from the novel by Dennis Lehane, Shutter Island requires that we pay attention in order to follow exactly where Scorsese leads. Not until the final moment do we know where that is.

If you like Shutter Island, you might enjoy:  The Ghost Writer; The Secret in Their Eyes; Inception.

Shutter Island     2010  /  R  /  2 hrs, 28 min

Cast Overview:  Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Patricia Clarkson, Max von Sydow, Emily Mortimer, Jackie Earle Haley, John Carroll Lynch

Director:  Martin Scorsese 

Genres:  Drama, Horror, Mystery, Thriller, Crime Thriller, Noir Thriller, Psychological Drama, Movie Based on the Book

Splice ****

 
 

The spawn of Adrien Brody and Sarah Polley takes after her two lab nerd parents in the sci-fi shocker Splice.

Genetically concocted Dren – loopy, endearing and freakish – has the smarts of both rebellious scientists Elsa and Clive. Dren’s got the unpredictable, relentless will of Elsa, and the soulfulness of Clive. Very much like E.T., she wants to phone home. Unfortunately she has no home except where she finds herself now, in the spooky land of her creators.

With spot-on acting by Brody and Polley as hotshot splicers who are romantically involved, the film immerses us in the ethical drama created by the two scientists.

The violent scenes whet one’s horror appetite, and only become gratuitous later in the film.

Chafing at the restrictions set by the pharmaceutical company that sponsors them, Elsa and Clive have set up their own lab (called “Nerd,” which is Dren spelled backwards). It is here where Dren is born.

The pleasant surprise is Delphine Chaneac as Dren, whose complex performance rivals her computer generated chicken legs and barbed tale. She’s all yearning and devilish mischief. Howard Berger crafted the special effects.

 

Oscar winner Brody is the conscience of the film. Exasperated, he reminds Polley about right and wrong even while he crosses that line himself.

The plot is predictable as we worry about genetically engineered creatures run amok. The puzzle of Dren’s fate is a smart, perplexing understory. Dizzying wealth drives the company’s research while remaining its ultimate motive in creating genetic cures.

Polley renders a particularly cold, hungry, vulnerable genius in Elsa. There’s a subplot about Elsa’s insane mother. While she doesn’t avoid the possibility of passing along those genes to Dren, her Dr. Frankenstein creature will yield precious cures for chronic diseases.

Splice is chilling to the very end, making one wonder whether creatures like Dren already exist somewhere on Earth.

If you like Splice, you might enjoy: Insidious; Shutter Island; Unknown.

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Splice 2009 / R / 1 hr, 44 min

Cast Overview: Adrien Brody, Sarah Polley, Delphine Chaneac, Brandon McGibbon, Simona Maiconescu, David Hewlett

Director: Vincenzo Natali

Genres: Science Fiction, Horror, Suspense/Thriller